This is a tough one. The components for this project have filtered in and out of my life over the last 12 years. It started with a complex 8 shaft point twill fabric, of which I put way too much on my little 8 shaft loom many years ago. I was doing a sectional warping demo, so obviously a long warp was in order. I wove about 5 yards of the laborious two shuttle fabric back in 1995, and it was exhibited in the Portland Convergence 1996 yardage exhibit. The rest sat on my loom. For years. Fast forward 2002, I am diagnosed with breast cancer, and one of the odd things that came to me as I wandered through my studio, looking at the stash I'd accumulated, at the unfinished projects, at the yardage still stuck on the loom (I had something like 6 more yards to go), and thought to myself, "What if I died from this cancer thing and never actually used any of this stash?" Somehow that silly thought was just what I needed to move into high gear, and dive into my stash and weave/sew with abandon. I had nothing to lose and suddenly, the idea that we are immortal and will always be there to play with our stash was blown away by that one diagnosis, and I thought, how sad if I never got to see where something takes me, to use some of the precious things I'd acquired, and what was I saving it all for?
Getting that remaining 6 yards off the loom became a priority. Besides, I really liked my little 25" 8 shaft Tools of the Trade Loom and wanted to use it for something else. It had been out of commission for 8 years by then.
I did manage to get the fabric off the loom, and obviously, I lived to write this story, and I did make a lovely coat from the fabric, shown above, titled Complex Wanderings, which is an appropriate title given my state of mind at the time. The piece was exhibited at Convergence 2004 Denver.
In 2006, I had an opportunity to take a five day workshop in Florida with Diane Ericson, sponsored by the Surface Design Guild in Tampa. I adore this group, and hopped a plane in February of '06, and played in the sunshine with Diane and the rest of the terrifically talented women in the group. It was up there with my top fiber experiences. I can't recommend Diane enough as a teacher and as a mentor.
I had to bring stuff to work with. Scraps of things, we would be working on many projects over the 5 days, mostly wearables and accessories. To get the most from the workshop I chose to start many projects, and finish them later at home. Some of the scraps I chose, came from the leftovers of Complex Wanderings, the 8 shaft fabric, and scraps of the light blue leather piece. And I searched my stash for other elements that would coordinate. A silk ottoman, a brocade, a raw silk yardage from my mother in law's stash. There wasn't enough of any one thing, but together the palette was beautiful. Using one of Diane's patterns, I started a jacket, just feeling my way along, letting the elements take me by the hand, and seeing what direction they went. While I was in the workshop, I loved what I was working on, and after I came home and put it on the dressform, the momentum was lost. Life got in the way, and I never returned to it until a year later. I just couldn't recapture the direction I was going with it, and put it away for another year. So we are coming on Feb 2009, could that poor half finished jacket be almost three years old? I always tell my students that a piece will tell you what it wants to be, but you have to listen carefully. And it is pretty clear that this piece does not want to go in the direction I had taken it. So, my goal here is to listen carefully, and take this piece to completion, I love the elements, I love the textures and the palette, and I'd like to see something that celebrates all of it, in a playful way, that I will wear and remember a 12 year adventure.
I've included the draft, you have to weave a fine tabby in the warp along with the pattern weft, and it is from Carol Strickler's Book of 8 shaft weaves.